Saturday, December 7, 2019

Andover and Charleston Essay Example For Students

Andover and Charleston Essay Abigail swiftly becomes the centre of attention, where she is most happy, as we substantiate that a great deal more had occurred in the woods that night. They had been dancing around a kettle which contained; as Abigail attempts to justify a very little frog. Then the scene reaches a sudden climax as Hale shakes Abigail repeatedly, confronting her, shocking the audience and abrupting the atmosphere with the news, it may be your cousin is dying. The audience are immediately gripped and, enraptured by the melodramatic tension, continue to be riveted, as Hale asks Abigail then vital question, did you call the Devil last night? The continuation of such a novel inquisition leads to Abigails implication of Tituba. She does this as soon as the pressure becomes too much for her to cope with and she brings someone else into the hazy spectacle to relieve herself. It is now too late for Abigail to recuperate her actions and Tituba is retrieved from downstairs to be instantly questioned by Hale. Mrs. Putnam enters with Tituba and straight away Abigail points at her. This makes Tituba feel uneasy. This signifies Abigails arrogant nature and she makes Tituba feel patronized and terrified. Abigail screams, she made me do it, she made Betty do it! Due to the seriousness of this inquisition, Miller makes the atmosphere strained and the conversation is short and disdainful. The impact of this revelation is tremendous; the fact that they were not just dancing it was far more serious than that. Tituba feels forced into explaining she gave Abigail chicken blood to drink. She realises the only way to get out of this awful corruption is to lie and she makes herself take the blame. Hale is short tempered and offensive towards Tituba, woman, have you enlisted these children for the Devil? Tituba is direct and explains she never trucked with a Devil. She is lost for words and clarifies she loves Betty. The atmosphere becomes very tense due to the topic of conversation: drinking blood and trafficking with the Devil. There are no stage directions because the actions are being created by the words. Hale makes false accusations towards Tituba before he lets her answer for herself. Hale is arrogant towards Tituba due to the fact she is a black slave with no rights and no status. He declares that Tituba has sent her spirit out upon Betty and accuses her of gathering souls for the Devil. Using the idea Hale has insinuated Abigail uses it, much to her advantage and remarks that Tituba sent her spirit out to her in church. Parris supports Abigails false accusation and recalls; he remembers Abigail laughing in church. That was actually due to the fact she was making contact with John Proctor during Church. Tituba is in a very uncomfortably agonizing situation with not a leg to stand on, with three people resisting her explanations. Titubas speeches are long, drawn out due to the fact she is thinking on her feet and everything that comes to mind is spoken aloud. Abigail blames Tituba for her own corruptions and actions that have taken place because she is taking advantage of the fact that Tituba is a black, Negro slave with no rights and no status. Tituba turns aggressive and she asks why Abigail is using all these fabrications. Abigail gets carried away and her speeches become destructive e. g. sometimes I wake up and find myself standing in the open doorway in the nude. Nudity was seen as very rude and explicit and therefore this statement would have seemed very serious. Abigail explains she can hear Tituba laughing in her sleep and singing her Barbados songs and tempting with her. Lost for words, Tituba is in despair. A false misconception from Hale accuses Tituba of having power over Betty and orders to wake her. Hale is short tempered and threatening, the atmosphere clearly shows Abigail is such a persuasive and believably forceful character. Realising telling the truth is getting her nowhere; Tituba is forced into lying and explains of her inner desire to work for the Devil. Tension increases considering the fact the audience knows that Tituba does not work for the Devil. However, she was in the woods after all- although it doesnt seem such a big thing now. The audience knows Abigail is the guilty person in this dreadful act of trepidation. Hale hears what he wanted to hear; that Tituba works for the Devil and that she has power over Betty. Hale offers to help Tituba and is softer in his words and actions, he declares, we are going to help you tear yourself free. The word tear sounds tedious and painful sounding. Stage directions are present to create a different atmosphere. "Araby" by Joyce EssayThis sudden outburst reveals a lot about her character. This is virtually the only view throughout the whole play we have of her and it isnt a very understanding one. Her infliction of painful words and thoughts towards innocent people is misleading. The fact that she is doing this to gain a little self worth for herself. We do not know how Parris treats his slave pre- witchcraft accusations. This may have been a strike of revenge after how Parris treats Tituba. We do not know, and the audience does not know. At the end of Titubas sudden outburst, she is aware of the fact that they need a name and presents the name of Goody Good. The characters are overwhelmed by the fact more and more womens names are being accused and Parris is amazed by the fact Sarah Good is accused. The atmosphere becomes electric with suspense. Tituba then names Goody Osburn, the ageing mid wife. Abigail seizes the opportunity to endorse all that Tituba has said and exclaims, I saw Goody Osburn with the Devil! the situation rapidly becomes infectious as Betty joins in the naming of innocent women. This is the first time Betty has spoken since she and the other girls from the village were caught dancing in the woods with Tituba. As Betty speaks the audience are silent with amazement and the characters believe Tituba is honoured to have woken this child. The characters are bewildered by the behaviour of the girls as they continue to name innocent souls. As the end of the act draws to an end and as the curtain falls, the scene draws to a climax as Hale sends for the Marshall and calls to him to bring handcuffs to make arrests. The audience is left in anxious doubt. The significance of the end of this scene and the inquisitions later on in court are relatively alike; the fact that the demoniac ways the girls asserted themselves aggressively, resulting in virtuous lives being lost. Abigails final accusations are dramatically ironic compared to the fact that when Abigail and John Proctor had a privately intimate talk, she told him they were just children being children and that it was so called pretence. The audience will have latched onto these facts and Miller has dramatically portrayed Abigail as a devious, hypocritical, two-faced, deceitful, lying young woman. Therefore, I can conclude; in relation to the question, consider the importance of this scene to the rest of the play and analyse how Miller makes it dramatic. That this scene contains vast amounts of valuable information that is later relied on in court and also the fact Hales ideas of the devils childrens characteristics are later used as a parable in Abigail and her little followers work. Miller uses many different devices to make this scene ultimately dramatic which have analysed each one carefully and displayed my information within this essay. The witchcraft trials in Salem were remarkable, mainly for the numbers involved. Before the witchcraft hysteria was over the girls had pointed the finger at hundreds of supposed witches, not only in Salem but also in places far apart such as Andover and Charleston. They even accused people they did not know e. g. Abigail accused Hales wife whom she had never met. By October 1692 doubts had set in about the girls testimony. In December 1692 Governor Phillips appointed a new session of the Superior Court of Judicature to clear the jails, and issued a general pardon to all persons still under suspicion. By this time, however, nineteen people had been hanged, one pressed to death under a pile of rocks (Giles Corey) for refusing to speak at his own trial, and at least two more people had died in prison, bringing the number of deaths to twenty-two.

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